^ "Electric Light Orchestra – Awards".^ " Top RPM Singles: Issue 4116a." RPM.^ " Top RPM Adult Contemporary: Issue 4139." RPM.^ "Billboard's Top Single Picks" (PDF)."Electric Light Orchestra – Strange Magic – Song Review". Billboard considered it to be an "easy rocker" with "smooth vocals and skillful string arrangements." Record World said that "an immaculate production by Jeff Lynne maintains the high calibre of the group's recorded work." Chart performance Guarisco considered it one of the best tracks on their "breakthrough" album Face the Music, praising Jeff Lynne's skill at "creating ballads that are as memorably hook-laden as his uptempo pop tunes", noting the "stunning intro full of swirling strings, some George Harrison-styled slide guitar riffs". The song has been described as psychedelic. The 'weeping' guitar lick was provided by keyboardist Richard Tandy while Jeff Lynne played a 12-string acoustic guitar fed through a phase shifter. A remastered version was included on the box set Flashback in 2000. The song was also included on the band's 1978 The ELO EP. The US single edit can be found on the remastered Face the Music released in September 2006. Released as a single in 1976, the single was edited in the US, whereas in the UK the song appeared as the album cut minus the orchestral intro. It was released on their 1975 Face the Music album. But I’ll go with Lynne’s most recent gem, a touching remembrance of childhood as well as a love letter to music itself." Strange Magic" is a song written Jeff Lynne and performed by Electric Light Orchestra (ELO). There are so many worthy contenders for this final spot on the list, including, but certainly not limited to, “Turn to Stone” (from 1977’s “Out of the Blue), “Telephone Line” (1976’s “A New World Record”), “Evil Woman” (1975’s “Face the Music”) and “Livin’ Thing” (“A New World Record”). ![]() Blue Sky” is a gorgeous update on Beatlesque, ‘60s psychedelic pop. Regarded by many as ELO’s greatest song, “Mr. The highlight is the operatic vocal work from Welsh soprano Mary Thomas.ĮLO is at the height of its power on this fun roller coaster of a song, which combines a ridiculously catchy chorus, powerful lead vocals and a down-and-dirty guitar riff for the ages. Hailing from one of ELO’s best all-around studio albums, “Rockaria!” stands as one of Lynne’s most thorough and satisfying blends of classical and rock. It starts out as a fairly straightforward ballad, but it builds into something else entirely over the course of 3 ½ minutes as Lynne and company add more layers of vocal harmonies, instrumentation and emotion to the mix. It’s a song that never gests old, no matter how many spins you give it. Just try not to smile as you listen to this entirely contagious, beat-happy blast, which stands as ELO’s highest-charting hit in the U.S. ![]() Track one from the band’s first album remains one of ELO’s greatest triumphs – a soaring, cinematic mission statement that still guides Lynne and company to this day. It’s about as fun as pop gets in the late ‘70s.Īlbum: “The Electric Light Orchestra” (also known as “No Answer”), 1971 But ELO’s reworking stretches out over 8 glorious minutes, without ever losing an ounce of the song’s original power or urgency.ĮLO is at the height of its powers, perfectly balancing brainy symphonic rock with unabashed Top 40 ambitions, as it delivers one of the best singalongs in its catalog. Berry’s 1956 original is a brilliant adrenaline shot that runs just under 2 ½ minutes. ![]() Once again following in the Beatles’ footprints, Lynne borrows from the Chuck Berry songbook and crafts one of the most satisfying cover songs in rock ‘n’ roll history.
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